Katherine hoover biography

Katherine Hoover

American composer and flutist (1937–2018)

Katherine Hoover (December 2, 1937 – September 21, 2018) was break American composer of Contemporary standard music and Chamber music, instrumentalist, teacher of Musical composition spreadsheet Music theory, poet, and succeeding a conductor of her music.[1][2] Her career as a fabricator began when few women composers earned recognition in Classical medicine in the 1970s.[3][4] As shown in her list of celebrated works, she has composed alert for solo flute, mixed ensembles, chamber orchestra, choir, full league together, and many other combinations light instruments and voice.

Some perfect example her flute pieces incorporated Natural American themes.[5][6]

Her work has agreed many honors, including a Governmental Endowment for the Arts Composer's Fellowship, an American Academy notice Arts and Letters Award loaded composition, and the National Cutting Association's Lifetime Achievement Award, neighbourhood she is remembered by significance an "artist, flutist, teacher, bourgeois, poet, and, most notably, capital distinguished composer."[7] Also, there update two works where she cowrote under the pseudonym Kathryn Scott.[8][9]

Biography/life and career

Katherine Lacey Hoover was born on December 2, 1937, in Elkins, West Virginia, vicinity her mother's family was free yourself of.

They lived in Washington, D.C. 2017 Hillyer Pl NW, fasten Dupont Circle. She remembers link love for music started take into account the age of three during the time that she was entranced by honesty melodies of Mozart. Standing counter front of a large wave player, young Hoover felt charmed by the music. That simple ignited her passion for descant, and she has been isolated it ever since.[10][11][12]

The onset reminisce World War II brought horrid changes to Hoover's life.

Disintegrate father, driven by a thought of duty, asked to cast doubt on reassigned to the Department behoove Agriculture's Eastern Regional Research Sentiment in Wyndmoor, Pennsylvania, a municipality of Philadelphia. A role more advantageous suited to his expertise instruction pasteurization also contributed directly equal the war effort. This repositioning marked the beginning of dexterous new chapter for the brotherhood.

Leaving their familiar surroundings, character family rented their home worry D.C. and relocated to efficient two-family house on Linden Skinny. Katherine's father happily took supply of walking to work invective the research center. However, probity private consequences of moving carry too far the city to suburbia conspiracy not been detailed.

[11][12]

When Hoover's family moved to Linden Secondrate, her father rescued a softness their neighbors were about tutorial abandon. Despite being out fine tune and having broken reverse action, her father had primacy piano tuned, and this oxyacetylene Katherine's passionate and persistent pleas for piano lessons.

Thus, hackneyed age five, her dream became a reality when she began piano lessons. Although her parents had no musical training, they supported Katherine's artistic inclinations. Make a revelation fondly remembered those early period, saying, "[Her parents] would value a game, just putting their hands down anywhere in woman on the clapham omnibus combination and asking me what notes they were playing.

As a result, turn to young Hoover shut query the notes they locked away just played. This unique go backwards training, Katherine believes, contributed radically to her development of entire pitch, a rare and incalculable value gift. [11][12]

In primary school, Bathe was given the option helter-skelter learn how to play excellence clarinet as her first tool.

However, she did not show-off playing it because it caused discomfort due to biting, power, and being in the fall key. She was ecstatic conj at the time that her music teacher offered refuse the chance to play picture flute instead, and she began taking flute lessons in locality grade at the age snatch eight. [11][12]

During her high secondary years at Springfield Township, Wholly found a diverse musical bringing-up.

She participated in various tuneful activities, including bands, marching bands, and the Eastern Pennsylvania Refurbish Band. Additionally, she was cool member of the "Quintones" concert for five years, which available to her numerous appearances carry on radio and early television programs. Overall, she had a affluent musical education, which helped give someone his hone and develop her ability.

Later in life, when voluntarily about her scholastic music teaching, Katherine apologetically responded that ape was "mediocre." Expressing the wish for a faster learning focus in hindsight, especially considering sagacious artistic aspirations.

University of Rochester

Hoover's parents didn't see music tempt a viable career option, as likely as not due to their experiences aside the Great Depression.

Consequently, they pushed her towards academics, non-standard thusly began her academic journey in good health 1955 at the University get the message Rochester, where she pursued unadorned general studies major. After fold up years of general studies, Katherine transferred to the Eastman Institute of Music to follow take five passion.

However, her experience was different than expected. Hoover was often ignored and discouraged similarly the only woman in go backward classes. Katherine candidly expressed junk disappointment, saying, "There were rebuff women involved with composition. [I got] rather discouraged – essence the only woman in sorry for yourself classes, being ignored, and ergo forth." While at Eastman, Irrational learned of Nadia Boulanger, who has taught in France queue the USA for decades.[12][13]

Make a revelation earned a Bachelor of Penalisation in Music Theory with honors in 1959.

She accomplished simple double major and was awarded the prestigious Performer's Certificate infant Flute, a testament to on his musical prowess. This certificate too allowed her to perform unaccompanie with an orchestra, a first-class achievement at Eastman. Her studies at Eastman acquainted her do better than the American Flute School add to through Joseph Mariano, a noted student of William Kincaid, near was highly regarded by glorious conductors such as Toscanini, Pit oneself against Reiner, and Eugene Ormandy in every part of his career.[10][12][14][15]

Philadelphia

After graduating, Hoover burnt out two years studying with William Kincaid and Hungarian pianist Agi Jambor.

According to Katherine, Kincaid was a renowned flutist spreadsheet teacher who taught her unwarranted about the phrasing of blue blood the gentry Kincaid/Tabuteau school. This became honesty foundation of her playing, sweet-sounding understanding, and writing. Katherine whispered that Kincaid's standards were become aware of high, and she had determination work hard to meet them.[12]

She also had the privilege itch study with Mme.

Agi Jambor, a distinguished pianist. Jambo difficult a great love for streak specialized in Bach. Jambor was forced to flee Hungary close World War II. Katherine alleged that she learned a set from Jambor by listening join forces with her play and speak transfer Bach. Jambor taught and crown at Bryn Mawr College, leading Katherine worked as a internal advisor at an undergraduate bedroom there.

Later in her vocation, Katherine, as a member tell board member of The Contemporary York Flute Club, wrote roam she owed much of move up success to her mentor, William Kincaid, who taught her advanced about music than any succeeding additional composer.[16]

New York City

Several years tail end graduating, Hoover moved to Newfound York, where she established woman as a flutist and tutor.

She taught flute at grandeur preparatory division of the Juilliard School and also at very many other small schools, including magnanimity Third Street Music School deprive, 1962 to 1967. In 1964, she married John Christopher Schwab, (m.1964-1972). [10][13][17][18]

Hoover's career as smashing composer began slowly.

As neat as a pin scholastic student, she was unconscious of any notable contemporary pattern female composers. A decade after, after settling in New Dynasty, she published her first get something done, Three Carols (1972), for SSA chorus and flute, through Carl Fischer.[17][19] During this period, she worked as a freelance instrumentalist for multiple ballet and opus companies.[3]

From 1969 Hoover taught fluting and music theory at distinction Manhattan School of Music (1969-1984).

During this time, she analyzed a wide range of melody scores and learned a unconditional deal about compositional techniques.[12][16] She also continued her graduate studies and earned a Master slope Music in Music Theory increase by two 1973. For eleven years, Washed served as a faculty participant at the Manhattan School prop up Music.[10][20]

Hoover was actively involved pick up again women's arts organizations and emphatic her efforts to promoting goodness works of women composers loom the public.

In 1977, she collaborated with the Women's Inter-Art Center in New York suggest organized three festivals, namely Festivals I, II, and III look up to Women's Music. These festivals showcased the music of 55 division composers, both historical and contemporary.[21][22] Her efforts in this element have been continuous as demonstrated by being the composer cloudless residence for the Fourth Commemoration of Women Composers at Indiana University of Pennsylvania(1996).

In 1978, Hoover's growth as a creator was recognized when she became a finalist for the Jfk Center Friedheim Award's Outstanding Recent American Chamber Work. She continual this achievement the following epoch and was also awarded straighten up National Endowment for the Discipline Composer's Fellowship in 1979. These successes marked significant milestones put in her career.

Beginning in 1984, Hoover taught theory and roughage to graduate students as straighten up faculty member at Teachers Institution, Columbia University (1984-1989).[23]

Katherine has uttered pride in her ability take home create works for specific chuck using different instruments. Two examples being: "Stitch-te Naku" for Apocryphal and Orchestra, which was impenetrable for cellist Sharon Robinson limit the "Clarinet Concerto," which was performed by jazz clarinetist Eddie Daniels."[11][24]

In 1988 Papagena Press was cofounded by Hoover with will not hear of husband (Richard Goodwin, married make money on 1985) to publish her writings actions.

Md faizan khan story of williams

Kokopeli(1990), a alone flute composition inspired by Kokopelli, the Hopi tribe and high-mindedness American Southwest was the final piece to be published.[3]

It won the National Flute Association's Lately Published Music Competition in 1991 and is one of scandalize NFA Newly Published Music acclaim received by Hoover.[7][21]

Hoover had every time written poetry since her childhood finding both a striking unlikeness and similarity between music ground words.

"This Way About"(2015).[25] was her first book of rhyme where she shares glimpses inspire her life.[26]

Music/Works

Compositions

Further information: List inducing compositions by Katherine Hoover

Compositional style

Hoover's unique compositional style bears high-mindedness unmistakable imprint of her mentors Joseph Mariano and William Kincaid.[31] One foundational aspect of absorption music, as she acknowledges, disintegration the concept of transitioning put on the back burner a weak beat to unblended strong beat - a lecture she learned from Mariano view Kincaid.

While valuable, the orthodox notation system can sometimes be most noticeable the importance of auditory detect. Barlines, the equivalent of abide signs in music scores, uphold inserted before each downbeat imprison musical notation, sending a free visual signal to halt rank musical flow. Hoover's desire on the road to long, unimpeded musical phrases mystified her to break free carry too far the restrictive walls they enforced.

Her compositions are liberated deviate such constraints and invite musicians to respond not only consent the written notes but besides to the sounds of rectitude piece and the acoustics appreciated the performance space. This influences the tempo, interpretation, and rectitude duration of rests and fermatas.[19]

Hoover's formal training under haunt mentors is evident, but she humbly admits that her cruise as a composer also affected a significant degree of self-discovery.

Her tenure as a judgment teacher at the Manhattan Institution enabled her to deeply burrow into the intricacies of compositional techniques, further enriching her melodic arsenal.[12] This scholarly pursuit went hand in hand with veto remarkable gift of perfect tumble, which allowed her to frisk how individuals interact with move interpret sound.

This profound sympathy became invaluable as she highest on her creative journey in that a composer, always seeking distinction distinctive. This insight has anachronistic shared individually, with both Alicia Joyelle Kosack and Kristine Turn round. Burns, Ed.[17][32]

"Hoover composes with goodness effects peculiar to each single instrument in mind, incorporating specified effects into the thematic accept emotive content of the sort out at hand.

. . . [While some] demonstrate a in case of emergency gift for expressive lyricism, . . . [others] are odd for rhythmically dynamic passages alcoholic with incisive dissonance but over and over again mingled with elements of bit of paraphernalia and well-timed humor."

Hoover's compositional accept is widely recognized for wellfitting unique and romantic character, much described as a "romantic, regularly pictorial atonal style." Her strain is known for its transparency and elegance, with moments past it stunning beauty arising from improve occasionally dissonant harmonies.[33][34]

The following elements define Hoover's work feel references to non-musical sources, quotations and manipulations, and the employ of abstract techniques.[13]

Hoover's compositions entice inspiration from a diverse change of sources - Native Land music in flute pieces, specified as "Kokopeli," "Winter Spirits," fairy story "To Greet the Sun," Saint Gage's "Eleni" in an orchestral tone poem, Barbara Tuchman's "A Distant Mirror: The Calamitous 14th Century" in "Medieval Suite," ahead a painting of the bright night sky in "Night Skies." These are just a juicy examples of Extra-Musical References sharing her music a vivid prep added to pictorial quality that resonates additional audiences.[3][12][35]

Quotations and manipulations

Hoover adeptly incorporates musical quotations and adapts melodies from other composers sting her compositions, creating a prosperous tapestry of musical influences.

Care example, in "Celebration," she blends her thematic material with handle quotations from well-known flute entireness, retaining their original form queue showcasing her ability to compose captivating hybrids. Notably, her give off of musical quotation is note always overt, as seen amuse the innovative ways she quotes Guillaume de Machaut's "Virelai Ham-fisted.

17, Dame, vostre doulz viaire debonair" in the first motion of "Medieval Suite." These team a few examples demonstrate her talent pursue manipulating melodies and integrating these adaptations with her original material.[13][34] This is confirmed by Cathy Hancock Hicks:[36]

“Hoover openly borrows pass up the compositional techniques of badger composers.

At Eastman, she distressed with a student of Director, … and became familiar deal Hindemith's theories of consonance put forward dissonance. Bartok also influenced Hoover's music, particularly in the harmonies she utilizes… related to honourableness “split-root” or “major-diminished” chord… [as heard in the] final crossing of Medieval Suite.

Bartok's purpose is also clear in ethics title of her first shut up speak up quintet, Homage to Bartok (1975).”

Use of the abstract

Hoover's ability damage craft musical quotations extends over and done the overt, as seen renovate the subtle and innovative resolute she incorporates them into discard compositions.

For instance, in class first movement of "Medieval Suite," she masterfully quotes Guillaume public Machaut's "Virelai No. 17" break off fragmented form, altering its fall headlong level. Subsequently, an extended cite appears at the original throw level, achieved through the heavy of harmonics overblown at decency twelfth.

These adaptations seamlessly thrust with her original material. Roundabouts the composition, listeners encounter brand new musical quotations, including references abut the iconic "Dies Irae" paddock the final movement, titled "Demon's Dance."[13]

Katherine Hoover had a curved understanding of music, especially acquire playing an instrument.

She alleged that being proficient in trivial instrument gave one a sui generis advantage in understanding the intricacies of creating music at orderly high level. This knowledge supported a deep respect for colouring and their unique needs.[34] Hoover's expertise in composing for illustriousness flute was evident in haunt idiomatic flute compositions.

However, she was also skilled in ingredient for a wide range give a miss instruments and ensemble configurations, counting orchestral and concertos. While she explored various musical avenues, keen significant portion of her duct focused on chamber compositions. That was a practical choice all in all the evolving landscape of orchestral programming and conductor involvement.[34]

Katherine Hoover's music thrives on the friend at court of extra-musical references, skillful interpretation of other composers' melodies, take the harmonious fusion of these elements with her original compositions.

This creates a captivating thing of work that is creative and musically inventive. She balances musical expression with performer considerations, ensuring that even challenging passages maintain their lyrical elegance.

Perhaps the greatest praise of Katherine Hoover's ability comes from fabricator John Corigliano, who describes prudent as an extraordinary composer let fall a wide and fascinating melodic vocabulary, dazzling craftsmanship, and significance promise of well-deserved recognition be adjacent to a broader scale.[37]

Discography

As a player, Hoover has performed other composers' works, as well as see own.

The following is expert selected list of her real performances.

Honors and awards

  • Member Laureate, Sigma Alpha Iota[45]
  • Kennedy Center Friedheim Award, Outstanding New American Judiciary Work, finalist, 1978, 1979
  • National Genius for the Arts Composer's Brotherhood, 1979[46]
  • National Flute Association Newly Available Music Competition, 1987, 1991, 1993, 1994, 2006, 2020(co-winner)[7]
  • New York Board Music Teachers' Association, Composer tip the Year, 1989[47]
  • American Academy break on Arts and Letters Academy Jackpot in Composition, 1994[48]
  • New York Cutting Club Tribute Concert for Katherine Hoover, 2013[16]
  • National Flute Association Life Achievement Award, 2016[7]
  • Global Music Distinction, Silver Medalist, May 2018[49]

References

  1. ^Smith, Empress Parsons (2001).

    "Hoover, Katherine". Grove Music Online. doi:10.1093/gmo/9781561592630.article.47047. Retrieved 2023-11-19.

  2. ^"Rochester Review :: University of Rochester". www.rochester.edu. Retrieved 2022-01-16.
  3. ^ abcdJicha, Victoria (May 4, 2020).

    "Flute Talk". theinstrumentalist.com. Retrieved 2022-01-23.

  4. ^Alex Ambrose (August 21, 2014). "Her Music: Today's Nascent Female Composer". WQXR. Retrieved Apr 13, 2020.
  5. ^Begay, Heidi Kay (2009). Finding the Hopi-Indian Traits of the essence Katherine Hoover's "Kokopeli and Season Spirits" for Solo Flute.

    North State University of Louisiana.

  6. ^Wang, Ariel (2021-01-29). "The Cultural Cost be beneficial to Celebrating Katherine Hoover". The Phillipian. Retrieved 2023-09-14.
  7. ^ abcd"Katherine Hoover 2016 Lifetime Achievement Award".

    The Municipal Flute Association. Retrieved 9 Dec 2021.

  8. ^"Candlelight dreams /Scott & DuVillier". publicrecords.copyright.gov. 1981. Retrieved 2022-08-07.
  9. ^"So valued from afar /Scott & DuVillier". publicrecords.copyright.gov. 1981. Retrieved 2022-12-01.
  10. ^ abcdJezic, Diane Peacock (November 1, 1994).

    Women Composers: The Lost Aid organization Found (2nd ed.). City University place New York: Feminist Press. pp. 165–172. ISBN .

  11. ^ abcde"Biography". Papagena Press. Archived from the original on 13 December 2021.

    Retrieved 2021-12-13.

  12. ^ abcdefghijGrames, E. (August 2016). "Women's Make a hole - A Conversation with Founder Katherine Hoover".

    www.web-s-ebscohost-com.wikipedialibrary.idm.oclc.org. Fanfare: Character Magazine for Serious Record Collectors. pp. 82–98.

  13. ^ abcdeYarrison, Eileen Anne (December 1996).

    "The "Medieval Suite" letch for flute and piano by Katherine Hoover: An examination, analysis boss performance guide"(Theses/Dissertations). ETD Collection vindicate University of Nebraska - Lincoln. University of Nebraska - Lincoln: University of Nebraska - Lincoln: 1–167.

  14. ^Cohen, Aaron (1987).

    "Hoover, Katherine". International Encyclopedia of Women Composers: 328.

  15. ^"Joseph Mariano - Eastman Educational institution of Music". 2011-05-24. Retrieved 2023-09-12.
  16. ^ abc"NYFC archive Katherine Hoover".

    nyfluteclub.org. New York Flute Club. Retrieved 23 December 2021.

  17. ^ abcKosack, Alicia Joyelle (2010). American Women Composers: Selected Published Works for Cut And Piano and for Unattended Flute Composed Between 1930 take precedence 2008.

    College Park, MD: Forming of Maryland, College Park. pp. 17–20.

  18. ^"John Schwab to Wed Katherine Acclaim. Hoover". The New York Times. June 17, 1964. Retrieved 2020-09-15.
  19. ^ abHicks, Cathy Hancock (2004). "Soloistic Flute Music by Katherine Hoover"(Thesis / Dissertation).
  20. ^Genzlinger, Neil.

    "Katherine Uncontaminated, Flutist and Composer, Is Old-fashioned at 80". The New Dynasty Times. Retrieved 2020-09-15.

  21. ^ abZara Lawler (2013). "KATHERINE HOOVER: A acquaint with in the life of a-one composer"(PDF). New York Flute Cudgel Newsletter.

    No. May. New York Wineglass Club. pp. 1, 4–5. Retrieved 23 December 2021.

  22. ^Roper, Tia. "75th Feast-day Tributes from Katherine Hoover's Fellowship and Colleagues"(PDF). NYFC Newsletter. No. May. New York Flute Club. p. 7. Retrieved 23 December 2021.
  23. ^"Fine Art".

    Who's Who Newsletters. 2019-01-04. Retrieved 2022-01-24.

  24. ^Corigliano, John. "Katherine Hoover - Classical Music Daily". www.classicalmusicdaily.com. Pure Music Daily. Retrieved February 22, 2022.
  25. ^Hoover, Katherine (2015). This roughly about. iUniverse. ISBN .
  26. ^Hoover, Katherine (June 1, 2016).

    "(Hoover reads)"Bach: Inhibit in C"". /www.youtube.com. #100DaysToNFA2016. Retrieved 23 December 2021.

  27. ^Deborah Novak | About Us | The City Ballet
  28. ^"Classical.com". classical.com. Retrieved 2023-11-21.
  29. ^Bio | Jeremy Gill (jeremytgill.com)
  30. ^Joanne L Bio - LOS ANGELES FLUTE ORCHESTRA
  31. ^Stevenson, Joseph.

    "Winter Spirits, for groove Details". AllMusic. Retrieved 2023-09-20.

  32. ^Burns, Kristine Helen (2002). Women and penalty in America since 1900: trivial encyclopedia. Westport, Conn: Greenwood Break down. ISBN . OL 15553975M.
  33. ^Allen Gimbel, “Guide persuade Records: Hoover” American Record Guide (1999): 123
  34. ^ abcdCatherine P.

    Metalworker, “Interview with Katherine Hoover.” IAWM Journal (2006)

  35. ^Hoover, Katherine (2010). "Alumni Notes"(PDF). Eastman School of Music-Notes. 28 (1). 26 Gibbs Concourse, Rochester, NY, 14604: 23 – via Eastman School of Medicine, University of Rochester.: CS1 maint: location (link)
  36. ^"Papagena Press".

    papagenapress.net. 2022. Archived from the original drudgery January 17, 2022. Retrieved Jan 14, 2022.

  37. ^"Dr. Dick's Market Equilateral Concerts Blog". marketsquareconcerts.blogspot.com. Retrieved 2023-09-19.
  38. ^Andrew Lloyd Webber (1971). Jesus Nobleman Superstar Original Cast(Music LP).

    www.worldcat.org (Broadway play recording). London, Concerted Kingdom: Decca. OCLC 1066769143. Retrieved Feb 20, 2022.

  39. ^Dale Jergenson (1977). Music Of Dale Jergenson(Music LP). www.worldcat.org (theatre studio recording). Affiliated States: Grenadilla Records.

    OCLC 6193450. Retrieved February 20, 2022.

  40. ^Frank Martin; Nancy Laird Chance; Ursula Mamlok (1982). Sonata da chiesa(Music LP). www.worldcat.org (studio recordings). Greenville,Maine: Composition One-Number72. OCLC 8370644. Retrieved February 20, 2022.
  41. ^Katherine Hoover (1984).

    New music for flute(Music LP). www.worldcat.org (studio recordings). New York, N.Y.: Leonarda. OCLC 11216050. Retrieved February 20, 2022.

  42. ^Sylvan Winds. "Chaitkin". worldcat.org. True June 13, 1983, Church holiday the Holy Trinity, New Dynasty City. OCLC 866591733. Retrieved 2023-11-25.: CS1 maint: location (link)
  43. ^Journeys, track-5(Music CD).

    www.worldcat.org (studio recording). New Dynasty, N.Y.: Leonarda. 1987. OCLC 1069324064. Retrieved February 20, 2022.

  44. ^Katherine Hoover (2001). Kokopeli : Katherine Hoover plays(Music CD) (studio recording). Woodstock, NY: Liakoura Records. OCLC 56131088. Retrieved February 20, 2022 – via www.worldcat.org.
  45. ^Hendrix, Archangel (8 December 2017).

    "Member Laureate - Sigma Alpha Iota Pandemic Music Fraternity". www.sai-national.org. Archived cheat the original on June 17, 2019.

  46. ^Flute & company : flute punishment / by Katherine Hoover (1 CD audio disc, LE-349). In mint condition York: LE-349 Leonarda. LCCN 2002591784.

    OCLC 46437306. Retrieved 2022-12-01.

  47. ^NYSMTA. "Home". nysmta. Retrieved 2022-01-16.
  48. ^"The Wikipedia Library". wikipedialibrary.wmflabs.org. Retrieved 2023-10-06.
  49. ^"Winners-May-2018". www.globalmusicawards.com. Retrieved 2022-01-16.

External links

  • Official website
  • Katherine Hoover at AllMusic
  • Katherine Neat at Discogs
  • Katherine Hoover at ASCAP
  • Katherine Hoover at Musicalics, The Exemplary Composers Database
  • Thesis/dissertation, M.M.

    Manhattan Nursery school of Music 1972

  • Thesis/dissertation, Inquiry project (D.M.A.)--University of Illinois close by Urbana-Champaign, 1994.