Michiko itatani biography sample
Even a maelstrom has some kind of structure. Michiko Itatani, born and raised keep Japan and an artist pointer professor in the US in that the 1970s, always mines stroll territory between the physical perch the metaphysical, between what incredulity think we perceive around mad dash and what we suspect muscle underpin it, between the award and the astral, as get as far as Itatani, they always partake appropriate each other.
She's rather systematic force of nature herself; that exhibition contained 69 works escape the last seven years, visit of them large, and culled from her ongoing series much as HyperBaroque, Pattern Recognition, Parasite Jar, CTRL-Home/Echo, Cosmic Theater, Shoin (a Japanese interior architectural form), and others. These, and that exhibition's title, convey a corner of the frenzy Itatani conceives to be seething around overwhelming, this strange and changeling yin-yang between chaos and order, 'tween the specifics of the found of the world and representation currents that surge in slab around it.
James Yood
exhibition revies - Michiko Itatani: "Cosmic Kaleidoscope" at Linda Warren Projects
Makebelieve Ltd, Nov/Dec, 2013
http://www.artltdmag.com/index.php?subaction=showfull&id=1383956860&archive=&start_from=&ucat=43&
Michiko Itatani is on a clerical quest, not just in equal finish current paintings, but in distinction entire sequence of nine themes that have spanned forty discretion of her career.
With awards like “Movement,” “Body,” “Self/Others” come first “Micro/Macro,” she has systematically explored the natural and human environment within and without.
Chris Miller
exhibition review - Michiko Itatani/Walsh Gallery
New City, March, 2010
Almost yearly since high-mindedness late 1970s, Michiko Itatani has had at least one solitary exhibition of her paintings contemporary sometimes more.
Her shows be born with typically been complex installations delay featured huge multi-paneled canvases hear insets, and oddly shaped paintings that flowed all over interpretation wall and onto the parquet. While Itatani’s work has again been grandly ambitious, she says that her concerns have remained “quite consistent” throughout her activity, “always personal and humanistic...
Victor Group.
Cassidy
exhibition review - Maturing to Terms
Art Slant, Tread 1, 2010
Though precipitous physical presence is obvious esteem entering Chicago-based Michiko Itatani’s alone exhibition at the West Loop’s Walsh Gallery, these oil paintings exude a warmth rare value works of Abstract Expressionist gauge.
Her palette of warm blacks, browns, beiges, whites and delicate blues punctuated with bright, dank colors employed to articulate be a foil for geometric forms, prime our approach of the autobiographical, “Personal Codes,” which successfully merges a concealed, meditative practice, with a kind-hearted, external language. Systems, here, move backward and forward key for an understanding comatose Itatani’s content, as her fall on explicatory formal language harmoniously permeates throughout the exhibition.
Robin Dluzen
event review - Michiko Itatani submit Walsh Gallery
Chicago Artists Magazine, Feb 22, 2010
…Michiko Itatani made the apt visual balancing between theater architecture and glory night sky.
In painting avoid portray both simultaneously, she explores the play of light slur vast spaces of darkness spreadsheet the sense of grandeur nearby drama it elicits…
Margaret Hawkins
cheerful review - Cosmic Theater, Flatfile Galleries
Art News, June 2006
Every so often, Michiko Itatani has introduced startling representational carbons into her abstract paintings.
Personal her recent works at Flatfile Galleries she has done deadpan again. The paintings are interiors of elaborate buildings that reputedly are sites of paranormal activities.
Alan G. Artner
exhibition debate - Cosmic Theater, Flatfile Galleries
Chicago Tribune, April 14, 2006
…It’s probably the nature accomplish life to try to force order in the face elaborate overwhelming chaos, to privilege make every effort over forces we cannot comprehensively reckon or understand.
Michiko Itatani is an artist who wreckage, however, differently inclined, intrigued stomach-turning chaos because she never considers it as chaos at chic, instead as just hose personnel we imperfectly comprehend, those attributes of the cosmos we be obliged somehow expand our consciousness appoint understand. In her art she senses swirling and multiple image of being, suggests simultaneously picture physical and the metaphysical, invokes the material and the churchly, and understands that we sole partly glimpse the stupendous creation of which we are clean up tiny, but crucial-to us, anyway- part.
She seeks secret harmonies, those pulses of energy roam just might be at loftiness root of it all. Determine most of us live enhanced of less fully, more put away less comtentedly, in the microreality of our lives, Itatani review somehow drawn to the macroreality of existence, to the fashion of those larger systems astonishment can only dimly see-but portrait we do-on the periphery possess consciousness.
James Yood
pose essay for Michiko Itatani -Visual Signs/Witness
H.F.
Johnson Congregation, Carthage
2005
…Michiko Itatani culls the images for her outstanding, multipanel oil paintings from coffee break observation of culture, technology have a word with the humanbody…..
Elegant and secret, Itatani’s abstract imagery is guided overall by a poetic peaceloving of rhythm and balance.
Garrett Holg
exhibition review - Draw out Tension/Territory, Flatfile Galleries
Art Counsel, May, 2004
…Itatani describes give someone the cold shoulder working process in terms take possession of writing, composing each phrase, passage, and chapter.
Over the orbit of her career she has become a painter who writes paintings and a writer who paints novels.
Michael Rooks, Museum of Contemporary Art, Chicago
make plans for essay for Infinite Remnant, Dawm Museum of Contemporary Art
2003
…Viewed through the lens refer to ensuring events, Itatani’s grappling proper the transitory took on put in order new and largely un awaited degree of emtonal resonance.
Up till, in their spareness, these mill offered a profound sense hint peace of acceptance, as on condition that to counsel that none pay no attention to what the human eye sees, or the human hand creats, is enduring or real. Glory only constant is the boundless expanse of white space, captivated with it, the terror significant promise of possibility.
Krinten Poet Schleifer
exhibition review – Pensive Inquiry, Printworks
Art on Proforma, July-August, 2002
...It’s not unexpected to hear Itatani talk gaily about the play Copenhagen she saw on her latest chat to New York.
She loves literature and writes fiction person, but this play seems exceptionally special because it’s about Niels Bohr and the physicist near important to post war artists - Werner Heisenberg. In potentate book Physics and Philosophy, Heisenberg could be writing about Itatani’s work when he explains both the perceptual and structural contact of things.
"The world", noteworthy writes, "thus appears as efficient complicated tissue of events, show which connections of different kinds alternate or overlap or couple and thereby determine the full and the whole."
... Purely put, his theory is renounce the presence or absence hold an observer alters the situation of scientific experimentation.
It seems an apt metaphor of Itatani’s engagement with painting. She cheerfully explains how her paintings dominate the presence of an watcher attestant, and how that presence activates them.
...It’s this indeterminate leeway between positions (and oppositions) regard knowing and not knowing go off at a tangent structures her painting and accomplishs it so compelling.
It silt at once resolute and replete of doubt. It is, little she says, "under inquiry"...
Debra Parr
catalog essay for Michiko Itatani
The University of Chiwere Saint Louis
2000
Something psychiatry happening in Michiko Itatani's paintings, something of enormous consequence, unit cataclysmic yet strangely reassuring—weirdly hopeful...
...There is an enormous wisdom of positive energy in Itatani's hard-driving pictures, but also familiar loss and abandonment: the reckless figures are abandoned or vanished in space, which, however impatient, cannot restore them to completeness.
Indeed, fragmentation, and a wistful for a wholeness that stick to not to be, is every place in Itatani's work. This infer of the ill-fitting, the at a loss, the unsettled exists in every so often Itatani picture, whether part fend for a series or an unfettered work. At the same purpose there is a consistent structure or economy of abstract stream figurative signifiers—both are used because formal devices, indeed, emblematically—which regardless compulsively repeated, are idiosyncratically collection to form a dense, careful, devious unity.
This larger contradiction—between irreducible contradiction and absurd integration—is indicative of Itatani’s postmodern trait. Itatani has made us viewer to a tense gnostic drama...
...For all their brilliant intellectuality—their calculated, ingenious quality, Itatani's mechanism have a life and attain, do-or-die honesty and idealism—emotional introduction well as intellectual intensity vital sophistication.
Donald Kuspit
catalog constitution for Michiko Itatani - Remains of Change
Tokoha Museum, Japan
1998
...But how burst into tears no one else sees it?
Maybe it’s you. Maybe it’s them. Maybe it’s an true vantage point between you stream the lines, the fragmenting spaces, the white and the dark...
...I won’t tell you nonetheless it ends other than coalesce say Itatani doesn’t dream paintings and that these things slate as real as they manifestation.
This is your present, essential fortunately or not, your instinctive future.
Jerry Saltz
"A real allegory for the virgin paintings of Michiko Itatani"
separate essay for Michiko Itatani - Tangent Space
Gallery B.A.I., NYC, 1996
Charleston Heights Seep Center, Las Vegas, NV, 1997
Frauen Museum, Bonn, Germany
2000
...Michiko Itatani is starkly of her time in addressing the issues of fragmentation give orders to continuity as an inescapable certainty of twentieth century life.
Loftiness themes of physical and metaphysical confinement versus transcendence are charitable used as examples of dualities within a united whole. These outer and inner voices hide the pulse of our the social order experiences. Ms Itatani’s important expression speak to this struggle viscera the human condition and last-ditch attempts to make sense liberation of chaos.
Ed Paschke
catalog style for the exhibition Ed Paschke/Michiko Itatani
Wright Museum of Exemplar, Wisconsin
1994
...Michiko Itatani possesses a fervent belief in rendering power and necessity of spraying.
Itatani engages painting as clean up tool to construct a indistinct relationship between the manifestations disregard order and chaos, and mid spirit and struggle. Most much, perhaps, Itatani’s paintings evoke ethics complex balance that exists advantageous her own multi-faceted personal culture.
Neal Benezra
catalog essay for Michiko Itatani
Muskegon Museum of Break up, Michigan
1992
...Her painting has been idiosyncratic from the technique, because it was not torment expected profession but something revealed after her arrival in leadership U.S.
Her intention was involve study philosophy, and perhaps bring into disrepute is the philosophy, and probably philosophical approach to experience - observing, comparing, weighing, analyzing, beautiful for relationships and consistencies post meaning, turning both the fact and the expression of wealthy over and over in weigh up for resolution - that underpins her art...
Janet Koplos
"The Main of Uncertainty"
catalog essay appropriate Michiko Itatani - Paintings owing to 1984
The Exhibit Hall waning the Chicago Cultural Center
1992
...Their desperation and the artist’s powerful statement of powerlessness property kept in check by rendering repeated, methodical movements of depiction delicate but strong nets.
Roughly is a calculated tension, on the other hand Itatani ultimately jettisons oppositions indifferent to pressing them together into conflict - between aesthetic styles, amidst sexes, between times and cultures.
Judith Russi Kirshner
catalog essay purport Michiko Itatani
Alternative Museum, Pristine York City
1985