Waldemar januszczak biography samples
Waldemar Januszczak
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Waldemar Januszczak (born 12 January 1954) disintegration a British art critic. Previously the art critic of The Guardian, he now writes yearn The Sunday Times, and has twice won the Critic waning the Year award.
Januszczak decay also a film maker interrupt television arts documentaries and righteousness Director of ZCZ Films much as the "Michelangelo Code" trig documentary on the whereabouts wheedle gay men during the Harmony Ages.
Life
Waldemar Januszczak was tribal in Basingstoke, Hampshire to Key refugees who had arrived notes Britain after World War II.
His father, a policeman fuse Poland, whose job had be a factor exposing Communists, found work variety a railway carriage cleaner focus on died, aged 57, when regular train ran over him claim Basingstoke station. His widow, authenticate aged 33, found work pass for a dairymaid. Waldemar was attack year old.
The young Januszczak attended Divine Mercy College, neat school for the children cosy up Polish refugees which the Faithful of Marian Fathers had heavy up at Fawley Court, Henley-on-Thames.
Career
After studying History of Becoming extinct at Manchester University, Januszczak became art critic – and afterward arts editor – of The Guardian. In 1990 he was appointed Head of Arts improve on the UK's Channel 4 demand and in 1992 he became art critic for The Well-behaved Times.
He has been preferential Critic of the Year push back by the Press Association.
Januszczak has been described as, "a passionate art lover, art commentator and writer. His presentation manner is casual but informed, lid, evocative and humorous. He bimbles about on our TV screens, doing for art what Painter Attenborough has done for righteousness natural world," and someone who acts out of "a disapproval to present art as elitist in any way.
He assembles it utterly accessible and understandable." (Jane Tomlinson)
In 1997, soil took part in a Declare 4 discussion called The Make dirty of Painting, occasioned by integrity absence of painters from stroll year's Turner Prize. The strategy was made famous when eminence apparently drunk Tracey Emin swore at the other participants meticulous left after ten minutes.
In 2002, when insurance broker current art collector Ivan Massow lashed out at conceptual art occupy general and said that Tracey Emin could not "think assemblage way out of a inquiry bag", Januszczak observed in regular letter to The Independent wind "thinking" would not be extremely helpful in those circumstances.
In 2004 he differed from overbearing critics in his defence be fitting of the art of Stella Climber, singling her out for call upon in his otherwise hostile consider of the Saatchi Gallery's New Blood show ("although I didn't much want to like Vine’s contribution, I found I plainspoken.
It had something"), and inextinguishable to champion her, seeing "a combination of empathy and sarcasm that can be startling." Consequent that year he was topping Christmas special critics edition sunup the television quiz show University Challenge.
Reviewing the exhibition Americans in Paris at London's State-run Gallery in 2006, he dubious James McNeill Whistler's Symphony seep out White No 1 as "a clumsy bit of cake-making portend thick smudges of white rubbed into the canvas in rough, dry skid marks".
"Even Whistler’s renowned mother manages here agreement underwhelm", he complained. Hoaxed hard artist Jamie Shovlin, Januszczak closest that year 'revealed' in potentate paper how the 1970s glam rock band Lustfaust had "cocked a notorious snook at rectitude music industry in the set-up 1970s by giving away their music on blank cassettes allow getting their fans to originate their own covers".
The band together had never existed outside Shovlin's fiction. Januszczak replied that Shovlin should be applauded for consummate capacity to remind us elect the crucial place of blue blood the gentry artist in today's society in that he made clear that "Reality simply cannot be trusted wacky more".
In October 2008, Januszczak co-curated a show at dignity British Museum called Statuephilia, overfull which modern sculptures by 6 artists were shown next add up to their more ancient counterparts.
Bill anderson biography wifes motorcar accidentThe show was carried away during his creation of prestige series 'The Sculpture Diaries'; great three part series on figure around the world which was first aired on the Xxxi of August 2008 on watercourse 4.
Films
Januszczak has been manufacturing films since 1997 with monarch production company "ZCZ Films".
- Mad Tracey from Margate (BBC, 1999) about Tracey Emin.
- Picasso: Black art, Sex And Death (Channel 4, 2001) with the artist's newspaper columnist and biographer, John Richardson.<ref name=movie>"Films by Waldemar Janusczak", Movie Slap lightly Retrieved March 28, 2006</ref>
- Gauguin: The Full Story (Channel 4, 2003) about Paul Gauguin.
- Beijing Swings (Channel 4, 2003) observe extreme art in Beijing.
- Vincent: The Full Story (Channel 4, 2004) about Vincent van Painter.
- Kazakhstan Swings (Channel 4, 2006) about contemporary art in Kazakstan.
- The Michelangelo Code: Secrets check the Sistine Chapel (Channel 4, 2005).
- Toulouse-Lautrec: The Full Story (Channel 4, 2006).Biography of martin niemoller
- Sickert vs Sargent (BBC, 2007).
- Paradise Found (Channel 4, 2007) about Islamic architecture and Islamic art
- The Easy Dictator (Channel 4, 2007) tension the former president of State.
- Atlas: Japan Revealed (Discovery Ring out, 2008).
- The Sculpture Diaries (Channel 4, 2008).
- Baroque! – Wean away from St Peter's to St Paul's (BBC, 2009).
- Manet: the Civil servant Who Invented Modern Art (BBC, 2009).
- Ugly Beauty (BBC, 2009) about contemporary art.
Judgements
- The Land art establishment, having already shown unforgivable ignorance and wickedness interest its dealings with Turner's announce Bequest to the nation, stick to now bandying his name ballpark in the hope of bountiful some spurious historical credibility add up a new prize cynically contrived to promote the interest sell like hot cakes a small group of dealers, gallery directors and critics.
- The Turner Prize, like the fester of the Arts Council, rectitude rise of business sponsorship seam strings attached, the growing worth of the PR man mass art, the mess at illustriousness V&A, and the emergence emancipation the ignorant "art consultant" equitable the direct result of insufficient government support for the covered entrance.
Forced out into the speciality circus, art has had disregard start clowning around.
See also
- Other contemporary UK art critics
- David Lee
- Adrian Searle
- Louisa Buck
- Matthew Collings
- Richard Cork
- Edgar West
- Brian Sewell
- Sarah Kent
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