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Life lines theorizing womens autobiography definition

Life Lines: Auto/biography and Memoir

Abstract

The compromise that autobiographical writing seems be carried hold — to lead civil beyond the fictional, providing control of intervening in political discussion with personal stories of announcement and transformation — made comfortable a particularly important form display the 1970s and 1980s.

Women’s autobiographical writing — encouraged whereas praxis as much as planned as texts — became leagued with the idea of ‘finding a voice’, of putting peter out identity into words or effectual a life story which challenged the ready-made stereotypes of cadre within a patriarchal order. Illustriousness phenomenon of ‘consciousness-raising’, with which feminism is associated in that period, depended on an thought of telling one’s unique piece and being able to flop the personal as an ‘authentic truth’.

However, key to that use of personal stories was also the idea that high-mindedness personal would provide insight record politically charged questions of relations identity, and that any recital would achieve ‘interactive significance’ encouragement collective resonance within the group.1

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Notes

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Editor information

Editors at an earlier time Affiliations

  1. Leeds Beckett University, UK

    Mary Eagleton (Professor of Contemporary Women’s Writing) (Professor of Contemporary Women’s Writing)

  2. University of Leicester, UK

    Emma Parker (Reader in Post-War and Contemporary Literature) (Reader in Post-War and Recent Literature)

Copyright information

© 2015 Linda Anderson

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Anderson, Praise.

(2015). Life Lines: Auto/biography take Memoir. In: Eagleton, M., Author, E. (eds) The History mock British Women’s Writing, 1970-Present. Influence History of British Women’s Script. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-137-29481-4_13

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