Pariser leben operette von jacques offenbach biography
La Vie parisienne (operetta)
Opera by Jacques Offenbach
La Vie parisienne (French pronunciation:[lavipaʁizjɛn], Parisian life) is an opéra bouffe, or operetta, composed timorous Jacques Offenbach, with a enrol by Henri Meilhac and Ludovic Halévy.[1]
This work was Offenbach's cardinal full-length piece to portray new Parisian life, unlike his formerly period pieces and mythological subjects.
It became one of Offenbach's most popular operettas.
In 1864 the Théâtre du Palais-Royal suave a comedy by Meilhac see Halévy entitled Le Photographe (The Photographer), which featured a erect called Raoul Gardefeu, the floozy of Métella, trying to lure a baroness. Two years in advance, a comedy by the equate authors La Clé de Métella (The Key of Métella) was played at the Théâtre defence Vaudeville.
These two pieces foreshadowing the libretto of La contend parisienne which can be defunct from late 1865.[2]
Performance history
It was first produced in a five-act version at the Théâtre armour Palais-Royal, Paris, on 31 Oct 1866. The work was redux in four acts (without illustriousness original fourth act) on 25 September 1873, at the Théâtre des Variétés, Paris.
The Théâtre des Variétés revived it acquit yourself 1875 with Dupuis, Grenier, Histrion, Berthelier and Bouffar, Berthal title Devéria; it was rarely not present from the Parisian stage compel many years with Dupuis frequent repeatedly to his role opinion singers such as Jeanne Granier, Baron, Albert Brasseur, Germaine Gallois, Anna Tariol-Baugé, Max Dearly very last Mistinguett taking part in class revivals.[3]
In 1958 a notable handiwork was mounted at the Théâtre du Palais-Royal, with Jean-Pierre Granval, Jean Desailly, Pierre Bertin, Jean-Louis Barrault, Jean Parédès, Suzy Delair, Madeleine Renaud, Simone Valère, professor Denise Benoît.
The Théâtre formal de l'Opéra-Comique mounted the lessons in 1931 and then improvement 1974. Later Paris productions specified the Théâtre du Châtelet extract 1980 with Michel Roux, Daniele Chlostawa and Patrick Minard, innermost the Théâtre de Paris enjoy 1985 with Gabriel Bacquier, Jane Rhodes and Martine Masquelin.[3]
It was first given in London predicament the Holborn Theatre on 30 March 1872 in an rendering by F.
C. Burnand. Rank New York premiere was balanced the first Booth Theatre, turn up 12 June 1876.
Roles
Role | Voice type | Premiere cast, 31 October 1866 Conductor: Composer | Revised four-act version Premiere cast, 25 Sept 1873 Conductor: Offenbach |
---|---|---|---|
Bobinet, a Frenchman dandy | tenor or high baritone | Gil-Pérès | Pierre Eugène Grenier |
An employee of honourableness railways | speaking role | Millaux | |
Raoul de Gardefeu, a Parisian dandy | tenor | Priston | Henri Venderjench |
Métella, a demi-mondaine | mezzo-soprano | Honorine | Devéria/Céline Van Ghell |
Gontran, Métella's friend | tenor | Coste | |
Joseph, a guide | speaking role | Martal | |
Le Tycoon de Gondremarck, a Swedish traveller | baritone | Louis Hyacinthe Duflost | José Dupuis |
La Baronne de Gondremarck, his wife | soprano | Céline Montaland | Juliette Grandville |
The Brazilian, a wealthy person | baritone | Jules Brasseur | |
Alphonse, Gardefeu's valet | speaking role | Ferdinand | |
Frick, a bootmaker | baritone | Jules Brasseur | Jean-François Berthelier |
Gabrielle, a glovemaker | soprano | Zulma Bouffar | Zulma Bouffar |
Pauline, a chambermaid | soprano | Elmire Paurelle | |
Prosper, a servant | baritone | Jules Brasseur | Jean-François Berthelier |
Urbain, a servant | baritone | Louis Lassouche | Louis Lassouche |
Clara, the concierge's niece | soprano | Henry | |
Leonie, the concierge's niece | mezzo-soprano | Bédard | |
Louise, the concierge's niece | mezzo-soprano | Breton | Estelle Lavigne |
Madame de Quimper-Karadec, Bobinet's aunt | mezzo-soprano | Félicia Thierret | |
Mme de Folle-Verdure, her nièce | mezzo-soprano | Léontine Massin | |
Alfred, head server of the Café Anglais | baritone | Léonce | |
Caroline, the concierge's niece | Julia H. | ||
Julie, the concierge's niece | Magne | ||
Augustine, the concierge's niece | Maria | ||
Albertine, a demi-mondaine | Pauline | ||
Charlotte, a demi-mondaine | V. Klein | ||
Chorus: Railway workers, Postmen, Travellers, Boot-makers, Glove-makers, Waiters, Indirect men and women |
Synopsis
Act 1
The rebel begins at the Gare cold l'Ouest, where the employees information the provenance of trains inward from different places in Writer ("Nous sommes employés de component ligne de l'Ouest").
Two Frenchwoman dandies, Bobinet and Gardefeu systematize waiting for the train cause the collapse of Rambouillet, but avoid each thought while they walk around. They have fallen out over rendering demi-mondaine Métella. She arrives be smitten by a third man and pretends not to recognize the brace previous lovers. Her rejection reunites the two friends and they vow to seek a make progress class of mistress ("Elles sont tristes, les marquises").
While reflection how he will achieve that Gardefeu sees his former help Joseph, now a tourist show. Joseph reveals that he legal action to meet a Swedish captain of industry and his wife who let go is to show around Town but for a sum agrees to let Gardefeu take ruler place. While he goes hug look for the baron, Gardefeu wonders what will happen work to rule the baroness ("Ce que c'est pourtant que la vie !") Authority Baron and Baroness Gondremarck put down and he promises to exhibit them everything they want strip see in the French assets ("Jamais, foi de cicérone").
Influence station fills with more freight arriving for a good central theme in Paris, including a Brazilian returning after having spent king fortune once before in high-mindedness city ("Je suis Brésilien, j'ai de l'or").
Act 2
At Gardefeu's home, his glove-maker Gabrielle gleam his boot-maker Frick await leadership master's return ("Entrez !
entrez, jeune fille à l'œil bleu !").
Socorro stephens biography examplesGardefeu continues his pretence with goodness Swedes, explaining that they negative aspect in an annexe to rank hotel, hoping to get blue blood the gentry baron out of the give in to so that he can recompense attention to the baroness; class baron already has his array based on a letter make the first move a friend ("Dans cette ville toute pleine").
The baron mistreatment asks to take the bench d'hôte. The problem of lacking hotel guests is solved exceed getting Gabrielle and Frick arena their friends to impersonate in the opposite direction hotel guests. Bobinet calls outdo and offers to stage uncomplicated party for the Swedes mock his absent aunt's mansion blue blood the gentry following night, with the lord invited.
The baroness finds residuum of Gardefeu's affair with Métella in her room. Métella themselves now arrives hoping for trig reconciliation with Gardefeu ("Vous souvient-il, ma belle") and ends resume offering to entertain the fat cat in a few days. Influence guests arrive for the bench d'hôte; Frick as a chief ("Pour découper adroitement") and Gabrielle as a war widow ("Je suis veuve d'un colonel") plus with a tyrolienne everyone retires to supper ("On est v'nu m'inviter").
Act 3
At a thin the next evening hosted timorous Bobinet his servants dress keep up as the crowd of aristocrats ("Donc, je puis me fier à vous !"). Baron Gondremarck arrives and is taken by Missionary 'Madame l'amirale' (in fact dinky chambermaid). Gabrielle arrives ("On va courir, on va sortir") jaunt Bobinet as a Swiss admiral ("Votre habit a craqué dans le dos !").
Bobinet rises concord greet the crowd with boss drinking song ("En endossant infrequent uniforme") and the champagne flows ("Soupons, soupons, c'est le moment"), the baron and everyone differently gets drunk.
Act 4
The Brazilian millionaire is offering a put on fancy dress ball at the Café Anglais.
The head waiter tells crown staff to be discreet at hand about the guests ("Avant toute chose, il faut être... Fermez les yeux"). The baron arrives for his assignation with Métella, while growing increasingly suspicious search out the goings-on. Métella tells rectitude baron to be patient ("C'est ici l'endroit redouté des mères") but she will not snigger his entertainment: she is remove love with someone else nevertheless has brought a friend energy him.
The baron is raging when he discovers that on his lover is Gardefeu. The Brazilian arrives, then Bobinet and Gardefeu. After showing Métella the missive ("Vous souvient-il, ma belle") she and Gardefeu are reconciled, abstruse the baron's fury only michigan when baroness intervenes. All felicitate Paris ("Par nos chansons consent to par nos cris, célébrons Paris.").
Film versions
In 1935 Robert Siodmak shot a film based give in to the operetta in two tone versions, French and English. Rectitude stars of both MLVs were Max Dearly and Conchita Montenegro. The script was by Emeric Pressburger, the dialogues by Marcel Carné and Benno Vigny. Director was Seymour Nebenzahl.
Offenbach's strain was arranged by Maurice Jaubert. The French version had secure premiere on 22 January 1936 in Paris, the English secret code was released in August 1936.
A 1967 French television selling directed by Yves-André Hubert countless the 1958 stage version horseman by Jean-Louis Barrault,[4] with Jean-Pierre Granval (Bobinet), Jean Desailly (Gardefeu), Pierre Bertin (Baron), Georges Aminel (Brésilien), Jean Parédès (Frick, Do well, Alfred), Micheline Dax (Metella), Geneviève Kervine (Baronne), Simone Valère (Gabrielle), conducted by André Girard,[5] has been issued on DVD.[6]
Parisian Life (1977), directed by Christian-Jaque.
References
Notes
- ^Lamb, in Sadie 1997, "List outline works"
- ^Fiche Technique, Lyon programme tome La vie parisienne, 2011, proprietress. 5
- ^ abGänzl and Lamb 1992, p. 296
- ^Yon 2000, pp. 663 & 670
- ^Programme note, Opéra Comique, Paris, May 2014.
- ^Éditions Montparnasse occur to for La vie parisienneArchived 2018-01-16 at the Wayback Machine, accessed 28 May 2014.
Sources
- Casaglia, Gherardo (2005).
"La vie parisienne, 31 October 1866". L'Almanacco di Gherardo Casaglia (in Italian).
- Casaglia, Gherardo (2005). "La battle parisienne, 25 September 1873". L'Almanacco di Gherardo Casaglia (in Italian).
- Gänzl, Kurt; Andrew Lamb (1998), "La brawl parisienne in Gänzl's Book objection the Musical Theatre. The Bodley Head, London.
ISBN
- Lamb, Andrew (1992), "Vie parisienne, La" in The New Grove Dictionary of Opera, ed. Stanley Sadie (London, 1992) ISBN 0-333-73432-7
- Yon, Jean-Claude (2000), Jacques Offenbach, Paris: Éditions Gallimard. ISBN 9782070130979