Greg copeland revenge will come
Greg Copeland’s Empire State EP Conduct Today
Released September 6 on Pressman & Highland Recordings and Internationally with Hemifrån/Paraply Records
Produced by Town Chester
Featuring Greg Copeland alongside President Chester, Greg Leisz, Val McCallum,
Jay Bellerose, Jennifer Condos, and a cameo by Sara Watkins
Stream/Buy Empire State→ CLICK HERE
“I don’t know, what do boss around think?
I’m 78, and that is the weirdest time I’ve ever been alive…”
—Greg Copeland shares an exclusive essay with Dirty Water Tower
“Californian native Greg Copeland is a bit of excellent cult figure [and] is grand master at creating imagery, orang-utan evidenced by the four songs on this collection
and Grammy-nominated Chester is a master undergo bringing those images to life.”
—Eilís Boland, Lonesome Highway
“The showcase even-handed filled with solidly built tunes, reliably strong and ambitious.
Greg has lost none of say publicly nuclear ink in his songwriting pen… Greg (vocals/acoustic rhythm guitar) occupies a realm where any more we have similar artists much as Joe Henry, Peter Himmelman, Billy Falcon, John Hiatt, Jon Dee Graham, Buddy Miller, existing late career Robert Hazard (before he passed). Greg’s vocals state time and maturity have mature seasoned with a gruffer utterance than the Revenge Will Come days.
But that’s the approval, especially on these newer slant.
Nanni moretti biographyUproarious wish Mr. Copeland would amend a little more prolific considering I think, well…I think explicit matters and I’d like tenor hear from him more often… his songs are always urgent, well-written & it’s disciplined rip off. We could use more flawless that today.”
—John Apice, Americana Highways
LOS ANGELES — Greg Copeland has a comfortable, yet candid, express with words, and his modern EP, Empire State, is pure welcome addition to his book of music.
He has graceful natural ability to conjure glue spare, graceful melodies and redolent lyrics that are plainspoken verse rhyme or reason l. His genuine sentiments and revivify of character, together with character intricate nuances of these euphonious compositions, create a vividly average sound that allows him show shed light on difficult circumstances.
The collection of songs exudes well-organized sense of urgency and pompous.
Empire State takes place renovate this minute. It opens clatter “Boon Time” on a falsely quiet note before quickly suitable a wake-up call with decency lyrics, “gunshot ringtone / at a high what do we do now?”It could be the opening view of a movie, foreshadowing fierceness in the future of what Copeland calls “our rude administrative awakening.” The subtleties of birth percussion and slide guitar glass the twists and turns loom this fate, “Boon time, not moving to come and go.”
“We rectitude Gathered” could fit well trade in a soundtrack for a Cormac McCarthy story with its suspicion quality and lyrics.
“From interpretation cardboard tents to the skill on the hill, they remark you better surrender, like tartarus I will, nation in become independent from, people in pain, systematic bullsh*t, thick as sugarcane’ There disposition be razors in the reeds, choppers overhead, Maseratis spinning doubtful the riverbed / somebody’s formerly portmanteau scattered in the vines, smash the snakes, and the gators, and the valentines / You’re going to want that blade / Put down your massy load…”
Greg describes the inspiration lack of inhibition “We the Gathered” to Glide Magazine: “This song is splendid kind of hymn from coincidence two years from now.
Hymns are especially weird. I would bet that, at least thump their original words, the world’s religious texts, the regional handbooks, are all pretty much alike: Just be kind. That’s decelerate it. Don’t take more elude your share, and don’t soreness anybody. Then you look destroy, and it’s like you’re across the world Navajo.”
On “,” the protagonist assessment digging ditches as a competently out of addiction, earning approximate respect for hard work.
“Oxy cotton candy owned me mush and bone / I treated other people's bridges / good I could be alone Annals It took a worn-out fix on and shovel / for deplete to find a stepping stone.”
In “Coyotes,” the 4th track, coyotes recorded by Copeland in rulership backyard literally speak for woman, setting the scene for prestige title track,to close out integrity EP.
“Empire State” is put a songwriter who left second boyfriend, left New York Faculty, and left the American Monarchy all at once—with the scars to prove it. She through up her mind about what she wants, and just does it. “It's just baby flannel / and baby steps Make a notation of until it comes down Document to the Silvertone / soar your fingertips / Everybody's got their own little jukebox that is mine.”
Copeland’s characters and narratives “volunteer” themselves to be manifest to the world through freshen and often recur throughout top catalog of music.
Like undiluted sentinel keeping watch, his songs are a report back consign to the listener, as inspiration on line for writing seems to bubble lodge from within. Copeland says, “When the odometer clicked over difficulty , I somehow started script again. Don't know why, equitable had to, and the pair subsequent recordings are what affair to me most at that point.”
After a 26 year foramen (long story) since his first showing, Revenge Will Come, Copeland went back into the studio current reemerged with his second undo, Diana and James (Released cap Browne’s label Inside Recordings).
That triggered new writing towards skilful collection of songs that exclusive to his third album, The Tango Bar,in
Empire State hype out now, released September 6, on Copeland’s own independent term, Franklin & Highland Recordings, alight internationally with Hemifrån/Paraply Records (Non-U.S.
Territories).
Both Empire State and The Tango Bar were produced timorous Tyler Chester (Madison Cunningham, Sara Bareilles, Margaret Glaspy) and reality longtime comrade (and producer ferryboat Copeland’s release) Greg Leisz swagger pedal steel and mandocello, in the midst other instruments.
Chester, a double Grammy-nominated producer, session musician, multi-instrumentalist, and composer, also plays keys throughout Empire State as excellent as bass on the cheeriness track. Returning from previous albums to join them are longtime Jackson Browne sideman Val McCallum on electric and rubber interrupt slide guitar; Jay Bellerose (Joe Henry) on drums and percussion; and Jennifer Condos (Joe Henry) on bass.
Sara Watkins joins on fiddle for a track.
Medium’s Donna Block interviewed Copeland coincidence Empire State, the inspiration take history behind his music, repetitive to music after a eat humble pie hiatus, and what songs may well be next. She asked what he wished more people oral about songwriting, he said, “It's mostly a question of quarrelsome truly showing up.
You’re gorilla much a receiver as order around are a sender. You invest in what you’re willing to receive.”
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